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Tuesday, February 26, 2013

Yesterday evening in La Molina, Spain, Wikinews sat down and talked with Irene Villa to discuss para-alpine skiing, disability sport, women’s sport, and her own sporting career. Villa was in town as part of activities taking place around the 2013 IPC Alpine World Championships, where one of her skiing club teammates is competing as a member of the Spanish team. Her high profile in Spain has brought additional interest to para-alpine skiing and disability sport in general.

((Wikinews)) : Hi we are interviewing Irene Villa, who is a disability skier from Spain and professional author, social figure, journalist, and psychologist. You are most well known for being a terrorist survivor, but you’re here because of the [2013 Alpine Skiing] World Championships. ^{((es))Spanish language: ?Hola estamos entrevistando a Irene Villa, esquiadora española, escritora, figura política, psicóloga y periodista. Aunque se le conoce más por haber sobrevivido a un atentado, se encuentra aquí por el Campeonato del Mundo [de Esquí Adaptado 2013].}

Irene Villa: I’m here because I love sitting ski, I practice and I compete, but since I got pregnant and my son was born I stopped competing. But before I had my son I competed against the people who will run tomorrow, the Germans who win, and I wanted to be here. I haven’t raced in the World Cup, but I did race in the European Cup. And well, I’m also here to support paralympic sports. ^{((es))Spanish language: ?Estoy aquí porque me encanta el esquí en silla, lo practico y he competido, pero desde que nació mi hijo dejé de competir, porque me quedé embarazada, pero antes de tener a mi hijo competí contra las que mañana corren, las alemanas que ganan, y quería estar aquí. Nunca Copa del Mundo, he corrido Copa de Europa. Y bueno, para apoyar al deporte paralímpico.}

((WN)) : In 2009 you said you were trying to make the 2010 Winter Paralympics. After giving birth are you going to continue with the sport and hope to make 2018? ^{((es))Spanish language: ?En 2009 dijo que quería clasificarse para los Juegos Paralímpicos de Invierno de 2010. Tras dar a luz, ¿va a continuar con el deporte e intentar llegar a 2018?}

Irene Villa: I would love to. The thing is that you need a certain amount of IPCAS points. I’m now competing, on top of that I have an injury, tomorrow and the next day I will be training, and I don’t know if I’ll have enough time to make it. Sochi [Winter Paralympic Games of 2014] is right around the corner, next year, so it depends on how many point you’ve got. 2018? For sure. ^{((es))Spanish language: ?Me encantaría. Lo que pasa que bueno, eso no se sabe, porque tienes que tener unos puntos IPCAS determinados y yo ahora estoy compitiendo, encima me he lesionado, y mañana y pasado voy a estar esquiando, y no sé si van a dar los tiempos para llegar… Es que Sochi [Juegos Paralímpicos de 2014] está aquí al lado. Son el año que viene. Entonces depende de los puntos IPCAS que tengas. ¿2018? Seguro que sí.}

((WN)) : You compete in a lot of national competitions, and with disability sport in general, classification is a big issue. Competing in national competitions, does classification come into play, especially when there is so few women skiers in your group? ^{((es))Spanish language: ?Participa en muchas competiciones nacionales, y en el deporte con discapacidad en general, las clasificaciones son un un tema polémico. En la competición nacional, ¿es la clasificación un factor tan determinante, especialmente cuando hay tan pocas esquiadoras en tu grupo?}

Irene Villa: Yes, certainly. You see, I have an advantage because I have buttocks, I have abs. I have an advantage over a teammate who has a spinal injury here [points to the high part of the back] and also competes. So of course classification is very important because we cannot have an advantage. I believe in competing in equal fairness, and disabilities vary so much that you need a good classification. Issues because of classification? Well, I think we are pretty well classified. For example, my fingers [shows hand where she lost three fingers] are not taken into account in classification, there’s always going to be a small detail that they don’t count. This is a disadvantage when holding the outrigger, and yet I’m classified like someone who is missing half a leg, for example. I’m missing both legs and three fingers. But, it’s really complicated to finetune it… Because then we would need to have twenty thousand classifications. This is what we have. ^{((es))Spanish language: ?Sí, claro que sí. Porque claro, yo tengo ventaja por ejemplo al tener glúteos, al tener abdominales, tengo ventaja sobre una compañera de mi equipo que tiene una lesión medular desde aquí [señala principio de la espalda] y también compite, así que por supuesto la clasificación es muy importante porque no podemos tener ventaja. Creo que tenemos que estar en igualdad de condiciones, y las discapacidades son tan distintas que tienes que tener una buena clasificación. ¿Problemas porque no te clasifican bien? Hombre pues yo creo que nosotras estamos bien clasificadas. Por ejemplo, a mi estos dedos [muestra mano en la que perdió tres dedos] no me los cuentan en la clasificación, claro, siempre va a haber algo pequeño que no te cuentan. Esto es una desventaja al coger el estabilo, y sin embargo estoy clasificada igual que una a la que le falta media pierna, por ejemplo. A mi me faltan las dos y tres dedos. Pero es que claro, es muy dificil dar justo… Porque entonces tendríamos que tener veintemil clasificaciones. Es lo que hay.}

((WN)) : Some of the skiers I’ve talked to in the mens’ side, not in Spain, but from other countries, have complained about the quality of womens’ skiing, and that there’s not enough high quality competition. That’s why I was interested in if classification was impacting women’s skiing because there is so few women skiers, that classes seem they’d make it harder to find competitors in classes that are making the sport equitable and fair. ^{((es))Spanish language: ?Algunos de los esquiadores de otros países con los que he hablado se quejaban de la calidad del esquí femenino, y la escasa calidad de la competición. Por eso me interesaba saber si la clasificación incidía en el esquí femenino al haber tan pocas esquiadoras, que las clases parece que hacen más dificil encontrar competidoras en clases que hacen el deporte más equitativo y justo.}

Irene Villa: Of course. In the case of the women, it is really hard to get a woman skiing, to have her compete in sit-ski. In fact, in Spain we exist thanks to Fundación También, which insisted in there being a female category. There was no female category, no women who dared. And we’re the same who started out in 2007. There has been no new blood because women don’t dare, because it is a tough sport, that requires sponsors —that do not exist—, or your own money, and it also demands courage and withstanding bad moments. I’ve suffered cold and injuries, and had some really tough times. You take away the best with you, but it is very hard, and men resist the cold better. ^{((es))Spanish language: ?Claro. Es que en las mujeres cuesta muchísimo que una mujer se ponga a esquiar, a competir en silla. De hecho en España estamos gracias a la Fundación También, que es la que se empeñó en que hubiese categoría femenina. No existía la categoría femenina, no había mujeres que se atrevieran. Y de hecho somos las mismas que empezamos en el 2007. No se ha renovado porque no se atreven, es un deporte duro, que además requiere sponsors, que no hay, o dinero de tu bolsillo, y además requiere valentía y malos ratos. Yo he pasado mucho frío y muchas caidas, y lo he pasado muy mal. La verdad es que te quedas siempre con lo bueno, pero es muy duro, y es cierto que los hombres son más fuertes para el frío.}

((WN)) : Your personal experiences have adequately prepared you to hurl yourself down the mountain at high speed? ^{((es))Spanish language: ?¿Sus experiencias personales le han preparado adecuadamente para lanzarse pendiente abajo a máxima velocidad?}

Irene Villa: At the beginning, it was very scary. The first times were very hard: falls, injuries… I even dislocated my vertebra and got a prothesis for the neck because of a hernia, one teammate broke her clavicle, another her femur… It has a lot of risks, but the truth is, speed hooks you! Once you learn to plant the ski pole, angle yourself, learn the position you must use, which is like a motorcycle rider’s, once you see you can run a lot and not fall, speed is addictive and you want to go faster. ^{((es))Spanish language: ?Al principio, mucho miedo. Los comienzos fueron muy duros: caidas, lesiones… A mi incluso se me salió el disco del cuello, me tuvieron que poner una prótesis en el cuello por una hernia que tenía, otra se rompió la clavícula, otra el femur, en fin… Tiene mucho riesgo, pero la verdad que la velocidad engancha. Una vez que aprendes a clavar el canto, a angular, la posición en la que tienes que ir, que es como la de un motorista, una vez que ves que puedes correr mucho y no te caes, sí que engancha la velocidad y quieres ir cada vez más rápido.}

((WN)) : Most of the ski team looks like they come from the Madrid area? From the Fundación También? ^{((es))Spanish language: ?¿La mayor parte del equipo parece que vienen de Madrid? ¿De la Fundación También?}

Irene Villa: In my team we are from everywhere in Spain. Even Nathalie Carpanedo is from France. ^{((es))Spanish language: ?En el equipo somos de todas partes de España. Incluso Nathalie [Carpanedo] es de Francia.}

((WN)) : How does a Frenchwoman become a Spanish skier? ^{((es))Spanish language: ?¿Cómo se convierte una francesa en una esquiadora española?}

Irene Villa: Because she lives in Madrid. She has the Spanish nationality. Then we have another woman from the South of Spain, in Andalusia, from Tarragona in Catalonia, from Galicia… We are from all parts of Spain. ^{((es))Spanish language: ?Porque vive en Madrid. Tiene la nacionalidad española. También tenemos a una mujer del sur de España, de Andalucía, otra de Tarragona en Cataluña, de Galicia… Las chicas venimos de todas las partes de España.}

((WN)) : So there’s a national ski culture. People think of Spain as a place with beaches and no snow. ^{((es))Spanish language: ?Así pues hay una cultura de esquí a nivel nacional. La gente piensa de España como un lugar con playas y nada de nieve.}

Irene Villa: There’s not too much tradition of paralympic skiing, to be true. There’s less. But we do have Sierra Nevada and the Pyrenees. ^{((es))Spanish language: ?Del esquí adaptado no hay tanta cultura, eso es cierto. Hay menos. Pero bueno, tenemos Sierra Nevada y tenemos el Pirineo catalán, aragonés…}

((WN)) : The Paralympics in Spain are supported by the Plan ADO Paralímpico. Do they provide enough support to women and to winter sports in general? ^{((es))Spanish language: ?Los deportistas paralímpicos reciben apoyo gracias al Plan ADO Paralímpico. ¿Proporcionan suficiente apoyo para las mujeres y los deportes de invierno en general?}

Irene Villa: The people in the national squad, like Úrsula Pueyo, would know that. If Plan ADO helps someone, it’s the people in the national team, those who dedicate their lives to the sport. They offered it to me when I was at my peak, in 2010, when I won my first gold medals and wasn’t yet married. They offered me to move to Baqueira, where Úrsula lives, with Nathalie, and with a Catalan girl too, but I declined, because when you have a life, a daily job, events, conferences, travels…. you can’t leave it all for the sport. But I think the Plan does help the people who dedicate themselves to the sport, like Úrsula. ^{((es))Spanish language: ?Eso lo saben los que están en el equipo nacional, como Úrsula Pueyo. Si el Plan ADO ayuda a alguien es a quienes están en el equipo nacional, a quienes dejan su vida por el deporte. A mi por ejemplo me lo plantearon cuando yo estaba en mi mejor momento, que fue en el 2010, que gané mis primeros oros y no estaba casada. Me plantearon irme a vivir a Baqueira donde vive Úrsula, con Nathalie, y con otra chica catalana, pero dije que no porque cuando tienes una vida, un trabajo diario, eventos, congresos, viajes… no podía dejarlo todo por el deporte. Pero creo que a la gente que sí que se dedica a ello sí le ayuda. Como a Úrsula.}

((WN)) : When I’ve read about disability skiing in Spain for women, they talk about you and they talk about Teresa Silva. Is there a way to get more attention for women skiers on that level, outside of using you and Teresa Silva as a vehicle? Not that you are not great for drawing attention! But how do you draw more attention to women’s sports and high quality that women are capable of doing? ^{((es))Spanish language: ?Cuando he leído sobre el esquí adaptado en España, suelen hablar de usted y Teresa Silva. ¿Existe alguna forma de atraer más atención a las esquiadoras, más allá de usarlas a ustedes como reclamo? ¡No es que no sean fantásticas para atraer atención! ¿Pero cómo se incrementa la atención al deporte femenino y a la alta calidad que las mujeres son capaces de lograr?}

Irene Villa: Oh, I would like that more people would join this sport or any other disability sport, that they practised it. And what we do is try to encourage them through the media, interviews, conferences… Teresa is the director of Fundación También, and she has access to talk with many people. As a speaker in motivation conferences and the like, I make people aware of it too. But it is difficult, because people try it out and love it, but will not race. Because racing is very risky and, well, you saw the slopes yesterday, sometimes they are hard, like a wall, and falling can be awful. But when we get the chance, we promote the sport and try to attract people that way, encouraging them to join this adventure that is sport. ^{((es))Spanish language: ?Eso es lo que a mi me encantaría, que cada vez más gente se apuntase a este deporte o a cualquier deporte, que hiciese deporte con discapacidad. Y nosotros lo que hacemos es intentar a través de los medios de comunicación, a través de entrevistas, a través de congresos… Teresa es la directora de la Fundación, y tiene acceso a hablar a mucha gente. Yo como ponente de conferencias, de motivación y tal, también lo doy a conocer. Pero es dificil, como digo, porque la gente lo prueba y le encanta, pero dicen que no a la carrera. Porque la carrera tiene muchos riesgos y porque, bueno ya visteis la pista ayer, que es complicada, a veces es muy dura, es un marmol, y las caidas son muy jorobadas. Pero sí que en cuanto podemos y tenemos la oportunidad, lo damos a conocer e intentamos atraer a la gente de esa forma, animándola a que se unan a esta aventura del deporte.}

((WN)) : As an outsider from, not Spain, I know you are a political figure. Has that gotten in the way of your ability to be a sportswoman? ^{((es))Spanish language: ?Como alguien que no es de España, entiendo que usted es una figura política. ¿Ha sido eso un obstáculo a la hora de ser una deportista?}

Irene Villa: No… Besides, that part about me being a political figure… I have nothing to do with politics. I don’t know why people always… Why? Because of what happened to me. I was a kid. A 12 year old has nothing to do with politics. We know too that ETA has attacked people who had nothing to do with politics as well. My mother was a police director. What may have interfered is the fact that since I was a known figure I’ve tried that other people…. Let’s see, for example I started doing sport so other people would know you could do sport. So it is true that the fact of being known has pushed me to do more things that I would’ve probably not have done. Because I wanted to show people that you could ski. And I ended up hooked. I only did it for a tv reportage. “Okay okay, a reportage and let’s have people know that yes, we can”. In fact, my book is titled “Knowing that you can” [Saber que se puede, in Spanish]. Later I got hooked. But the fact of being known motivates you to show other people a path that could be very beneficial to them, and at the end you get addicted to it. ^{((es))Spanish language: ?No… Es que además, lo de política me suena a que… yo no tengo nada que ver con la política. No sé por qué la gente siempre… ¿Por qué? Porque me pasó lo que me pasó. Era una niña. Una persona que tiene 12 años no puede tener nada que ver con la política. ETA ya sabemos que ha atentado contra gente que no tenía que ver con la política. Mi madre era funcionaria de policía. El caso es que lo que quizás ha podido interferir es que el hecho de ser una persona conocida he tratado de intentar que otras personas… A ver, yo empecé por ejemplo a hacer deporte para que otras personas supieran que se podía hacer deporte. Así que sí que es verdad que el hecho de ser conocida me ha impulsado a hacer más cosas de las que hubiese hecho seguramente. Porque yo quería mostrar a la gente que se podía esquiar. Y acabé enganchándome yo. Lo hice simplemente por un reportaje. “Venga venga, un reportaje y que la gente sepa que se puede”. De hecho mi libro se llama Saber que se puede. Luego me enganché. Pero el hecho de ser relevante o conocida te impulsa a mostrar a otras personas un camino que puede ser muy beneficioso para ellos, y al final acabas tú enganchada.}

((WN)) : When all is said and done, what do you kind of want your legacy to be? Do you want to be known as Irene Villa, disability sport advocate figure? Do you want to be known like Jon Santacana, or do you want to be known as somebody who has pushed the boundaries in other areas? ^{((es))Spanish language: ?Al final del día, ¿qué clase de herencia desea dejar? ¿Ser conocida como Irene Villa, deportista y defensora del deporte discapacitado? ¿Ser conocida como Jon Santacana, o como alguien que ha forzado los límites en otras áreas?}

Irene Villa: As something more. I’d like my testimony to go beyond sport, which is what I try to do around the world, besides telling people you can do it. It’s about the capacity of a person to make herself, to be happy, to overcome resentment, to love herself, and to love others. I think that is the most important thing. And that’s the basis. I think sport is something that completes your life, mentally and physically. It’s very important. But my message is forgiveness, happiness and hope. ^{((es))Spanish language: ?Algo más. A mi me gustaría, que es lo que hago por todo el mundo, aparte de decir a la gente que se puede, que mi testimonio vaya más allá del deporte. Es la capacidad de una persona de hacerse a sí misma, de ser feliz, de superar el rencor, de amarse, y de amar a los demás. Yo creo que eso es lo más importante. Y esa es la base. Creo que el deporte es algo que completa tu vida, te complementa mentalmente, físicamente. Es muy importante. Pero mi mensaje es perdón, alegría y esperanza.}

((WN)) : Thank you very much! ^{((es))Spanish language: ?¡Muchísimas gracias!}

Friday, May 6, 2005

At 21:00 UTC yesterday, the polls closed in the United Kingdom general election. With only a handful of seats left to declare, Labour reached the 324 seats necessary to form a majority in the House of Commons, with the result in Corby at 03:28 UTC.

The Conservative Party remains the Opposition party, with the Liberal Democrats being the third largest party in the House of Commons.

Both the Labour victory and the reduced majority were widely predicted by opinion polls before the election. The BBC/ITV exit poll predicted Tony Blair a majority of 66 seats, which continued to be forecast as the final result as declarations were made. Some early results in the north-east indicated a bigger swing away from Labour than the opinion polls had been suggesting, but later results confirmed the survey.

Overall, there has been no clear swing in votes between the parties. Many seats have seen large swings, but in many different directions, with perhaps the national swing of 5% from Conservative to Liberal Democrat being the most dramatic with many much larger local swings.

The new Labour government has been elected with the lowest proportion of the popular vote ever – just 35.2%. However, the Tories only gained 32.3% barely more than the last election in 2001. The biggest winners in terms of popular vote were the Liberal Democrats led by Charles Kennedy, who secured 22.1% of the vote. With 645 of 646 seats declared so far, this has given the Liberal Democrats another 11 seats in Parliament, but the Conservatives have gained another 33 seats. Labour have lost 47.

As a result, Tony Blair is forecast to be governing with a majority of 66 in the new Parliament. However, on some major issues such as university fees and anti-terror laws, many Labour MPs have voted against their leadership. With a greatly reduced majority, Tony Blair may be forced to water down many more controversial policies in order to guarantee their passage through the House of Commons. Speaking on BBC News, commentator David Dimbleby pointed out the uncertainty of such possibilities, and noted that a majority of 66 was larger than the 43 seat majority won by Margaret Thatcher in the United Kingdom general election, 1979.

One surprise vote was the election of ex-Labour member George Galloway in Bethnal Green & Bow, in East London. The area has a very high number of Muslims in it, and Galloway moved from his home in Scotland in order to gain their anti-war support. He ousted Britain’s only second female black MP, Oona King, in the process.

Robert Kilroy-Silk, the ex-talkshow host who was sacked from the BBC after writing racist newspaper articles, only came fourth in his election in Erewash in the East Midlands. His party, Veritas, which fielded 65 candidates across the country, stood for withdrawing from the European Union and blocking immigration.

Turnout in the general election is 60%, up 2% on 2001.

For comparison:

Saturday, November 17, 2007

Jokela High School in Tuusula, Finland, scene of the Jokela school shooting, has recommenced classes. Earlier this month, student Pekka-Eric Auvinen, 18, fatally wounded eight people with his handgun before turning the weapon on himself in the country’s worst ever school shooting. He died later in hospital, having never regained consciousness.

All last week repair teams have been working to eradicate all traces of the event, with large numbers of bullet holes in walls and doors being filled in, broken windows and torn blinds being replaced, and total renovation of one corridor which Auvinen had attempted to set fire to.

Students had previously been permitted into the school last week, in order to collect belongings left behind as they rushed to evacuate the school. On Monday, the school’s 450 pupils began to attend temporary facilities set up at nearby Tuusula Primary School as well as the local church.

Tuusula spokeswoman Heidi Hagman told reporters yesterday that at first school days would be considerably shortened, adding “Today the students will spend time getting used to the renovated and repaired school area.

“Students and teachers are getting support from Red Cross crisis workers and psychologists during the first days of school.”

Esa Ukkola, head of education in Tuusula, spoke to reporters about the fact that students had been shown around the renovated school. “We need to show there is nobody lurking in the cupboards any more. We’re trying to have as normal a school day as possible. There are dozens of extra people to ensure we can do everything in small enough groups.”

The shooting has prompted public anger in Finland at the media attention directed to it, with a feeling that it undermines the placid reputation of the country. People have questioned the decision of a survey last month to designate Finland as the world’s “most livable country”. Psycho-social service manager Anna Cantell-Forsbom from nearby Vantaa has spoken out about her view that the shooting was mainly caused by a lack of psychiatric care available to the Finnish youth and therefore did not reflect on Finnish society. The shooting has also prompted a move by the Finnish government to raise the legal age for gun ownership from 15 years to 18 years.

Finland is expected to set up a commission of inquiry this week to investigate the murders. The government will set aside resources for the ministry of social affairs, health and education as well as the local municipality for the investigation. Meanwhile, local authorities have shown a four-year response plan to the government, asking for five million Euro to fund it. Half will go towards therapy and occupational guidance for affected residents, while the other half would go to school guidance counsellors, psychologists, school healthcare personnel and other experts. The ultimate goal of the plan is the complete recovery of those adversely affected by the shooting.

Friday, June 2, 2006

Two women, one of them about to give birth, were shot dead by US forces as they rode in a car headed toward a maternity hospital in Samarra, 60 miles north of Baghdad, according to witnesses and Iraqi police Capt. Laith Mohammed.

Nabiha Nisaif Jassim, 35, and her 57-year-old cousin, Saliha Mohammed Hassan, were killed by the gunfire, according to the Associated Press. Jassim, a mother of two, was pregnant with her third child; doctors at a nearby hospital tried unsuccessfully to save the baby.

Khalid Nisaif Jassim told reporters that he was rushing his sister to the hospital for childbirth. “I was driving my car at full speed because I did not see any sign or warning from the Americans. It was not until they shot the two bullets that killed my sister and cousin that I stopped.

“God take revenge on the Americans and those who brought them here,” he added. “They have no regard for our lives.”

A US military statement released Friday disputed the account. “A local national sedan entered a clearly marked prohibited area near coalition troops at an observation post,” the statement read. “As the vehicle neared the troop location and failed to stop despite repeated visual and auditory signals, disabling shots were fired into the vehicle. The vehicle stopped, changed direction, and quickly departed the area.”

The e-mailed statement to the Associated Press also expressed regret for the loss of life, noting that “coalition forces go to great lengths to prevent them.”

The Washington Post reported that the women’s bodies were “wrapped in sheets and lying on stretchers outside the Samarra General Hospital before being taken to the morgue, while residents pointed to bullet holes on the windshield of a car and a pool of blood on the seat”.

The US military has increased the number of investigations into charges of misconduct against US troops, most notably following the alleged mass murder of as many as 24 civilians in the town of Haditha, west of Baghdad. Initially, 15 civilians and eight insurgents were reported dead in gunfire following a roadside bombing that killed a US Marine. Military spokesman Major-General William Caldwell said, “there are three or four (investigations) at least at this time” and that they are in “the first stages.”

A compilation of brief news reports for Thursday, December 25, 2008.

The Japanese automobile manufacturer Toyota has reported a sharp decrease in the number of global vehicle sales in November. The firm sold 618 000 cars in that month, a decrease of almost 22% from the same time last year.

This comes several days after Toyota’ prediction that it would have its first annual loss in 71 years.

Sources

• “Toyota sales plunge in November” — BBC News Online, December 24, 2008
• “Toyota’s global sales mark worst drop in 8 years” — Miami Herald, December 24, 2008

Rene-Thierry Magon de la Villehuchet, the fund manager of an investment fund that lost US$1.4 billion to Bernard Madoff’s Ponzi scheme, was found dead on Tuesday, having committed suicide.

De la Villehuchet was found by a security guard in his Madison Avenue office in New York City on December 23. A bottle of sleeping pills and a box cutter were discovered on the floor near his person, and his wrists were slashed.

Sources

• “Suicide Madoff investor was ‘honorable man’” — MSNBC, December 24, 2008
• Ignatius Reilly. “Madoff Suicide: Rene-Thierry Magon De La Villehuchet” — rightpundits.com, December 24, 2008

Thursday, July 1, 2010

A court in England, UK has jailed a policeman for ten months after he was convicted of defrauding his car insurance company.

Police Constable Simon Hood, 43, arranged for a friend who dealt in scrap metal to dispose of his Audi TT, then claimed it had been stolen.

Hood had been disappointed with the car’s value when he tried to sell it two years after its purchase in 2008. He arranged for friend Peter Marsh, 41, to drive the vehicle to his scrapyard in Great Yarmouth, Norfolk. Marsh then dismantled the vehicle with the intent of disposing of it, but parts were later found wrapped in bubblewrap at Ace Tyre and Exhaust Centre.

Marsh picked up the TT from outside nearby Gorleston police station. Records show mobile phone conversations between the conspirators that day in March, both before and after the vehicle was reported stolen. The pair denied wrongdoing but were convicted of conspiring to commit insurance fraud after trial.

The fraud was uncovered after Hood told former girlfriend Suzanne Coates of the scheme. It was alleged before Norwich Crown Court that he had confessed to her in an effort to resume their relationship. Coates said that after the pseudotheft, Hood told her “he didn’t want to look for it. He said it would be like looking for a needle in a haystack, which I thought was a bit strange.”

Shortly afterwards Hood suggested they should become a couple once more, she said; she challenged his version of events regarding the car: “He said he did it but I couldn’t tell anyone. He said he did it with Peter. Peter had a key and took the car away and it was going to be taken to bits and got rid of so it was never found.”

Hood was defended by Michael Clare and Marsh by Richard Potts. Both lawyers told the court that their clients had already suffered as a result of the action in mitigation before sentencing. Clare said Hood had resigned from the police after fifteen years of otherwise good service and risked losing his pension. “It is not a case where his position as a police officer was used in order to facilitate the fraud,” he pointed out. “His career is in ruins.” Hood is now pursuing a career in plumbing.

Potts defended Marsh by saying that he, too, had already suffered from his actions. His own insurers are refusing to renew their contract with him when it expires and his bank withdrew its overdraft facility. His business employs 21 people and Potts cited Marsh’s sponsorship of Great Yarmouth In Bloom as amongst evidence he supported his local community.

Judge Alasdair Darroch told Marsh that he did accept the man was attempting to help his friend. He sentenced Marsh to six months imprisonment, suspended for two years and ordered to carry out 250 hours of community service. He was more critical of Hood:

“As a police officer you know the highest possible standards are demanded by the public. You have let down the force. You knew throughout your career that policemen that get involved in serious dishonesty get sent to prison.”

Saturday, March 5, 2005The World Health Organisation (WHO) and the United Nation’s Children Fund (UNICEF) have released figures showing that world-wide, deaths from the disease measles have dropped by 40% over the last five years.

In 1999, 873,000 people died from disease, while that number fell to 530,000 in 2003 – a drop of 39%. The largest drop was seen in Africa – 46%.

Just ten years ago a million children a year died from the disease and another 30 million were affected, often being left with long-term disabilities such as brain damage and blindness.

WHO/UNICEF started a drive to cut measles deaths in 1999, with the aim of halving deaths by the end of 2005. Governments around the world began implementing their proposals.

The main aim was to achieve the vaccination of at least 90% of all children born (around 130 million a year). A second aim was to ensure that all children between nine months and 14 years old receive a second chance for immunization, either through routine health care or special initiatives. The special initiaves have proved especially effective, vaccinating 350 million children from 1999 to 2003.

An indirect benefit of the drop in measles cases has been the releasing of money previously used for measles treatment for other health care projects. For example, in Togo, 95% of children under five now receive vaccinations against measles and polio, mosquito nets to guard against malaria, and de-worming tablets.

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.