Tuesday, July 7, 2009

Australia’s cricketer Brett Lee is out of the first Ashes test match – which starts on July 8 in Cardiff – with a torn muscle in his left side. He is also doubtful to play the second Test at Lord’s, which begins on July 16. It will be at least two weeks before he can start training in the nets again.

“I am very very disappointed and gutted that I will not be there for the first Test match but I will find a way to bounce back,” said Lee. “I still see myself hopefully playing a major role for Australia through the end part of the series, whether that’s the second, third, fourth or fifth Test match depending on how things go.”

The fast bowler complained about soreness in his left side after playing the England Lions at Worcester. Scans on Monday revealed he has a tear to his rib muscle. Other reports have described the injury as a strained abdominal muscle.

Kevin Pietersen commented on Lee’s absence saying it was “a huge, huge, huge loss” for Australia.

Australia now have to choose which player to pick as a replacement for Lee. Two likely options are spinner Nathan Hauritz or pace bowler Ben Hilfenhuas.

England will start their campaign on Wednesday to attempt to regain the ashes after Australia completed a 5-0 whitewash last time.

Saturday, December 17, 2011

The former French president Jacques Chirac has been found guilty of corruption and sentenced to a two year suspended prison sentence after a long-running criminal trial concluded this week.

The events which led to the trial predate Chirac’s time as president but center around Chirac’s prior role as mayor of Paris from 1977 to 1995. The court agreed with prosecutors who alleged that Chirac created fake government jobs in order to funnel an estimated €1 million of public money to his political allies in the Rally for the Republic organization.

Benoît Hamon from the Socialist Party said he was glad that “justice has been done” and said it was “a good sign for French democracy that an independent judiciary could pronounce such a verdict on a former president of the republic”.

Sunday, December 7, 2008

Pakistani officials have reported that vehicles supplying NATO forces in Afghanistan have been set on fire by suspected militants. The attack occurred in the northwestern city of Peshawar which lies on Pakistan’s North-Western frontier at 0230 local time.

Sources claim that more than 250 gunmen using rockets, grenades and AK-47s overpowered the guards setting the Humvees on fire. The Pakistani officials claim that 96 trucks, 70 Humvees and 6 containers were destroyed.

In November this year, 12 lorries carrying Humvees were captured by the militants in the famous Khyber Pass. The convoy was also carrying food and aid to the NATO forces in Afghanistan.

Wednesday, July 27, 2005

First leg of the second qualifications round of UEFA Champions League is now over. Second leg games will be played on August 2 and August 3.

The biggest surprise of the leg is probably Artmedia Bratislava’s (also known as Artmedia Petrzalka) easy victory over Glasgow Celtic of 5 – 0. According to IFFHS’ ratings, Celtic is 43rd on the list, while Slovakians are on position 200. [1]

RSC Anderlacht secured an almost certain victory in the second round, as they won 5 – 0 at home against PFC Neftchi.

Another clear favorite is Liverpool, which beat Kaunas in an away game yesterday with a final result of 1 – 3. Kaunas will have to score at least three goals at Anfield next week to stay in game.

Anorthosis made the same result against Trabzonspor, but at home, which can still give Turks realistic hope to make it up next week.

Dudelange lost at home to Rapid Vienna with 1 – 6. Strikers were on a goaling spree in the first ten minutes of the game, leaving Rapid with a steady advantage of 1 – 3. Akagündüz scored his second goal of the game in 16′ for Rapid. Two more goals in the second half secured an easy home game for the Austrians.

Partizan Belgrade managed to beat Moldavian Sheriff at home, with 1 – 0, but the organized fans among 15,000 present at the stadium did not cheer for their team. Fans were protesting against the club management, as they banned any banners from the stadium. Most fans only chanted “Management out!” every few minutes.

Partizan’s stadium has a capacity of 32,710 seats, but last season games avaraged only about 2000 spectators in domestic matches. There is a long standing conflict between Partizan’s fans and the managament, as fans accuse the club leadership of manipulation of club’s funds and favoring certain fan groups.

Saturday, November 25, 2006

With the hopes of funding the creation of a statue in northern India that would end up dwarfing the Statue of Liberty, an unprecedented collection of Buddhist artifacts continue crisscrossing American, Europe, and Asia in three different, but related collections.

The Maitreya Project, the brainchild of Lama Zopa Rinpoche, seeks to build a monument and development dedicated to Buddhism at Kushinagar, Uttar Pradesh in northern India. The centerpiece of this massive development will be a 152m (500 ft) bronze statue of the Maitreya Buddha, the Buddha of the future.

Buddhist belief says that there have been Buddhas in the distant past and there will be Buddhas in the distant future. The historical Buddha, the one who was born in India about 2500 years ago, is known as Shakyamuni Buddha. Buddhist belief says that sometime in the distant future the teachings that Shakyamuni Buddha brought to Earth will fade away. At that point the Maitreya Buddha will be born and gain enlightenment in order to refresh and renew Buddhist teachings.

Along with the statue, the development is also planned to include temples, exhibition halls, parks, a museum, library, and a theater as well as a hospital and educational center.

In order to move forward with this project the Maitreya Project has created collections of artifacts that are touring the world. Once the statue is built these artifacts will be housed in it for viewing.

Buddhist artifacts are usually associated with the body of the person involved. While they can be such things as bone and teeth, usually they are pearl-like objects that are found and collected after the enlightened person is creamated. These pearl-like objects are called ringsel.

There are three collections of artifacts currently touring American, Europe, and East Asia. They include relics from the immediate past Buddha, called Kasyapa, the historical Buddha, five of his original disciples, several Tibetan and Zen masters, and the 14th Dalai Lama, Tenzin Gyatso.

Wikinews reporter Richard Kinne spent three days with the relics when the North American tour came to Ithaca, NY a few weeks ago. The relics travel with two caretakers, one of whom is always in close proximity to the relics. Setup for the relics display can take about four hours depending on the venue. Taking it down takes a bit under two hours.

Each morning of the tour the relics are taken out of their padded case and placed in clear plexiglass display cases. The relics are displayed individually in small containers called stupas. Some containers appear very full, while others contian just one very small object. Each evening the process is reversed and the padded case stays with the relic caretakers.

Between the morning and the evening people from all walks of life come to see the relics – believers, people who are curious, academics, Buddhist monks and nuns, both older folks and small children. While the Heart Relic Tour just does deals with displaying the relics, the sponsoring venue can add to the display in various ways such as lectures, meditation classes and demonstrations, or various other rituals.

The tour in North America reaches Jacksonville, FL during the first weekend of December. From there it will go to Miami between the 9th to the 11th, and then to Phoenix, AZ between the 15th to the 17th. In Asia the tour spends time in Malaysia in the first part of December.

Sunday, August 7, 2005

The 60th anniversary of the first use of an atomic bomb against people has been remembered in a ceremony yesterday in Hiroshima, Japan.

The atomic bomb, code-named “Little Boy“, was dropped on Hiroshima at precisely 08:15 on August 6, 1945 by the specially converted United States Army Air Force B-29 Superfortress Enola Gay.

The recommendation to drop the atomic bomb without warning was made by an eight-man committee headed by George Harrison who was Secretary of War Henry Stimson’s special assistant for matters relating to the development of the atomic bomb. Both Harrison and Stimson were members of Skull and Bones

Three days later, another atomic bomb “Fat Man“, was dropped on nearby Nagasaki.

The Japanese Government surrendered unconditionally on 15 August, and signed the formal surrender on the USS Missouri on 2 September in Tokyo Bay.

The dropping of the bomb has been condemned by critics and anti-nuclear campaigners, who say other methods could have been used to end the war. Advocates, however, say that an invasion of Japan — to be known as Operation Downfall — would have cost millions of Allied and Japanese lives, citing the ferocity of fighting experienced during the Battle of Okinawa, and that the bombings avoided this.

Approximately 140,000 people died within days from the initial blast and during the following year from radiation. The total death toll was almost half of Hiroshima’s population.

“As the years go by so many of my friends and relatives die. This must not be forgotten.” Sunao Tsuboi, a survivor of the bombing, said. Now he is 80, and he recounted some of the details of what he witnessed that day:

“We were all barefoot. One woman’s skin was hanging from her chest, another woman’s eye was hanging from its socket and resting on her chin, and one young girl’s guts had spilled out.”

Tsuboi saw people jumping into a river which was already full of bodies. He said, “I was thinking that if I die here, I would feel so sad and alone. Everyone had given up; no help was coming.We were beyond pain.” Tsuboi has since lost skin on his forehead and nose as well as part of his ears. He still goes to hospital every two weeks for treatment.

Wednesday, December 31, 2008

What would you tell your grandchildren about 2008 if they asked you about it in, let’s say, 20 years’ time? If the answer to a quiz question was 2008, what would the question be? The year that markets collapsed, or perhaps the year that Obama became US president? Or the year Heath Ledger died?

Let’s take a look at some of the important stories of 2008. Links to the original Wikinews articles are in all the titles.

Sunday, May 21, 2006

Three days after the Internet release of the free content 3D short Elephants Dream (see Wikinews coverage), we exchanged e-mails with Ton Roosendaal about the reaction to the film, open source filmmaking, and the changes to Blender that resulted from the production. Ton Roosendaal is the lead developer of the Blender 3D rendering and modelling software that was used for the movie. He is also the chairman of the Blender Foundation, a non-profit organization which was formed in support of the software and projects like Elephants Dream.

How much money did the Blender Foundation spend on producing the movie? Has the money been fully recouped by DVD orders and donations?

We still have to finish the final bookkeeping for this project. It has been executed in co-production with the Netherlands Media Art Institute, and we each had our own internal budgeting for the project. When you exclude expenses of pre-production and producer personnel, the total budget was about 120,000 €, of which we covered half. Our contribution was roughly covered half by the DVD sales, and half by European Union support (http://www.uni-verse.org consortium).

One of the most common criticisms of CGI films is focus on technology over content. For instance, Final Fantasy: The Spirits Within flopped with audiences, in spite of being an undisputed technical milestone. I’ve seen many reviews that criticized the plot of “Elephants Dream” as too bizarre or confusing. In retrospect, are you happy with the story development process?

Haha, I knew the story and plot would get a mixed acclaim. There’s a couple of reasons I’d like to mention for it.

First of all; the criticism resembles how people witness Blender itself, too. Many people expect that Free Software is an easy accessible mass audience product. We get a lot of complaints by non-artists that they can’t get into the software easily, whilst the complexity of commercial products like Maya or Houdini is perceived as a confirmation of its “quality”. Apparently an Open Movie created similar expectations with the audience.

Luckily we also got many positive reviews of the artistic result of the movie. It is quite abstract, but definitely has many layers of information, inspiring many of the viewers to see relevant real life messages hidden here.

For this project we’ve teamed up with the Netherlands Media Art Institute, internationally renowned as a resource for video art. So for Elephants Dream, we’ve had the luxury to challenge ourselves to create real independent artistic content as well. The artists had a lot of freedom from the start; they were responsible for the concept, story and creative development of the entire movie. This has resulted in a lot of quite personal choices, based on what the artists liked to do themselves. I really cherish such an approach, it has resulted in a very motivated team working crazy hours the last months to get it all realized.

But, most importantly; the main target of our project was not only to create a 3D movie short, but to experiment with ways to improve the efficiency and quality of open source development. On this aspect only, this project was just a huge success, and the main reason for our sponsors (the DVD pre-sale) to support it. I know they might have liked a cartoonish funny movie with furry animals better, but for that you get already pretty well served by the bigger 3D animation studios. 🙂

I’m the first to admit that – looking back especially – certain aspects worked out quite weakly; there’s loose ends and questionable decisions, especially in story development and continuity. That’s just the risk of doing experiments, and nothing I regret really. The five artists from our user community who were invited to make the movie were young people with no professional background in filmmaking. Their personal incentive to participate in this project was also to learn from it, and to create a good portfolio for their future career. I’ve witnessed them grow in competence in the past year enormously, something I’m incredibly proud of.

On the technical level, the only major criticism I’ve seen of “Elephants Dream” is the character animation, especially in the opening scene — many reviewers felt that the movements seemed a bit unnatural. Do you agree with these criticisms? If so, what do you think can be done to improve on that level?

Yeah, the challenge the artists set themselves – to use quite realistic personages – is also something that easily works against you. In many animation movies they introduce characters in the beginning in a way you get used to their specific characteristic movements, so you accept a certain level of non-realism easily. (Check the weird walk cycles in The Incredibles for example). Another aspect is that we’ve started work on the first scenes, and ended with the last scenes. I can clearly see the animation quality increase, and that whilst the ending scenes were done in much less time due to time constraints.

We also didn’t schedule to do 9.5 minutes of animation either…. Originally it was more like 6. But, it’s always easier to look back to define the right decisions, eh? 🙂

I’m very happy with the reviews we got so far; luckily the movie was perceived as a professional quality product, and reviewed based on comparisons with what the big studios come up with. Even when we couldn’t satisfy all these quality demands, it has luckily not been branded as a pathetic presumptuous attempt by amateurs!

Do you think there is hope for a full-length open movie project in the near future? Would the Blender Foundation be interested in such a project, or do you intend to continue focusing mainly on shorts?

I’d like to wait a little while with defining what a next project would look like. Given the constraints of “organizing projects to improve open source development”, we might have not much choice either. It would probably mean to work with a new team each time, so most likely be based on shorts only. On the other hand, there’s also clear signals that this approach works well, and creates excitement and involvement of a lot of people, also from producers and sponsors. That might enable us to set up a next project based on larger targets. For a full-length feature film however, we should involve a sufficient amount of experienced film makers as well, and/or invite the first team to participate again. That would put a lot of pressure on the required budget…. You can’t do that based on a 1000 DVD pre-sale target. Would more be like 20,000 or so…. 🙂

How did the process of making the movie feed back into the development of Blender? Are there major technical changes that were made only or primarily because of the film?

Already during the pre-production phase the artists have defined the key targets for Blender development. This then was coordinated with the online development community too. I’ve done the most crucial (re-)development mostly myself, though. Especially on the character animation tools, on the rendering pipeline and compositing tools.

It is especially the latter I’m most satisfied with. In 3D movie production the compositing stage creates a giant content bottleneck. By transparently integrating this in our render-pipeline, a very efficient workflow has been achieved. And, not to forget, Blender now also offers the first production-level open source compositor on the market!

The current summary you can find in our work-in-progress release notes.

What are the key technical features in Blender you want to add or improve for future movie projects?

Depends on what the movie is about! There’s always hundreds of features you can work on. However, we’ll have to work on that anyway, movie project or not. There’s a lot of professionals using Blender now, and they can’t wait for the Blender Foundation to do movies! Look at this studio for example:http://www.plumiferos.com/

I read that at least one proprietary software package, Reaktor, was used for the sound effects. Is this because no equivalent free software solution exists yet? Will future projects have a “free software only” policy?

We’ve limited the “Open Source tools” requirement to our own Studio Orange only. That was what we could keep in control at least, and I can tell you it was not always easy even… 🙂

For sound and music we’ve decided from the beginning to seek an external sponsor. We have chosen to work with the best quality studio and composer we could find, preferably using open source, but not as a prerequisite.

My own competence is solely within the CG [computer graphics, Ed.] side of movie making. When it comes to music editing, or video encoding and DVD authoring, I could only decide to choose to work with external parties with proven competences in that area. I have to be practical in projects like this, especially to ensure it will be realized.

Hopefully, now we’ve got so much attention world wide, we can involve more non-CG open source next time, too. I will definitely strive for the maximum here, but it will fully depend on the amount of professional support we can get.

Blender itself was originally closed source freeware, until it was “liberated” through a fundraising campaign. If you could choose one proprietary application to “set free” where such a goal could be realistically achieved, which one would it be?

Well, the “realistically achieved” demand makes it quite difficult. 🙂 Looking back at similar cases, like Mozilla and OpenOffice.org, it was always very circumstantial. It just happens sometimes, you can’t organize something like this to happen in advance. The only common denominator is “a company in troubles”… so, who’s in trouble now?

What is your personal favorite computer-animated full-length film?

Uuuh… that differs every week! Probably Ice Age (the first one). Mostly because they didn’t overdo showcasing 3D technology so much, but created truly adorable characters and great funny gags.

Friday, March 13, 2009

According to a government report released on Tuesday, six inmates of a Regina, Saskatchewan jail managed to escape last summer after spending four months using nail clippers and other makeshift instruments to break out.

The report stated that no fewer than 87 prison guards had supervised the inmates’ unit, but did not discover the prisoners’ escape plans.

The inmates, four of whom had faced murder charges, used the instruments to remove a steel plate and grill, and finally break through with a shower rod, reaching an exterior brick wall. The inmates used sheets and blankets to climb up the exterior walls of the compound.

Some of the prisoners played cards at a table in the corridor to block the guards’ view.

The prisoners were later caught and sent back to prison. “We didn’t think we would get away with it. We started working on it. It was something to do and we just kept at it. When we didn’t get caught, we picked our night and just went,” said one of the escapees to the team investigating the incident.

Wednesday, November 8, 2006

Polish Prime Minister Jaros?aw Kaczy?ski has ordered the pharmaceutical company Jelfa to halt production following revelations that Jelfa had placed mislabelled medication on the market, whose use could be potentially fatal.

Jelfa distributed vials labelled as Corhydron, a hydrocortisone used to treat allergies and inflammation, but in fact containing Suxamethonium chloride, a drug normally used to cause muscle paralysis during emergency surgery.

The Health Ministry has appealed to people suffering from asthma or allergies to check their medication and return any Corhydron ampoules they possess to the pharmacy.

Polskie Radio reports that the mislabelling was discovered a month ago, but Jelfa and the Polish Health ministry did not inform of the problem.

Prime Minister Jaroslaw Kaczynski ordered Jelfa to halt production until it can assure the Polish Government that it can properly manage its production.

The Polish Outlook reports that that drug companies in Poland were operating unregulated since December, 2005 as the regulations has expired. The government was putting in place new regulations.

The owner of Jelfa is AB Sanitas, the largest drug producer in neighbouring Lithuania. The shut-down has been questioned by the Lithuanian Prime Minister Gediminas Kirkilas, who expressed concern over the situation and said that he wants to try to settle the issue diplomatically.