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Wednesday, June 7, 2006

The Western Australian (WA) Environmental Protection Authority (EPA) has advised against the massive Greater Gorgon liquefied natural gas project off WA’s Pilbara coast. Proponents of the projects say Gorgon is one of Australia’s biggest export ventures, scheduled to provide up to 6,000 jobs and exports of up to $1.2 billion.

EPA chairman Dr Wally Cox said the Gorgon project operators (Chevron, ExxonMobil, and Shell), had made an effort on flora and fauna issues but in its present state, the Gorgon proposal was “unacceptable.” Gorgon LNG general manager Colin Beckett said that Gorgon was a world-class gas field and that the joint venture partners were confident that the decision would be reversed.

Environment Minister Mark McGowan said there was a definite process to be followed. The Minister says he will make a final decision on the Gorgon proposal after considering the EPA report – and any subsequent report from the Appeals Convenor. The EPA recommendations on the Gorgon proposal are subject to a two-week appeals period.

The EPA’s Dr Cox said that joint venture had “not been able to demonstrate that impacts from dredging, the introduction of non-indigenous species and the potential loss of fauna could be reduced to acceptable levels.”

In September 2003 the WA government provided “in-principle agreement” to the Gorgon joint venturers subject to a number of conditions. Dr Cox said that the Environmental Review and Management Programme had further highlighted the terrestrial and marine conservation values of Barrow Island and the adjacent waters.

“Flatback turtles in particular would be put at risk from the proposal with two of the most important nesting beaches located adjacent to the proposed LNG processing plant site and the materials off-loading facility,” Dr Cox said. “There is very little science available on the life-cycle, behaviour and feeding habits of Flatback turtles and as a consequence it is not possible at this time to identify management measures that would ensure ongoing survival of this Pilbara Flatback turtle population.”

Dr Cox also said that the Proponent had not been able to demonstrate that risk could be reduced to satisfactory levels in the areas of: Impacts on the marine ecosystem from dredging; The introduction of non-indigenous species; Potential loss of subterranean and short range endemic invertebrate fauna species. “As a result, the proposal in its present form cannot meet the EPA’s environmental objectives and is considered environmentally unacceptable,” Dr Cox said.

Sunday, July 6, 2008

Toncontin International Airport, serving the Honduran capital Tegucigalpa, has reopened fully to air traffic six weeks after a deadly jetliner crash. TACA Flight 390, an Airbus A320 carrying 124 people, overshot the runway in poor weather and ran across a busy street, killing five, two of whom were on the ground. The accident occurred on May 30.

Since the crash the airport has refused to allow aircraft with more than 42 passengers on board to operate from the airport due to safety fears. Only domestic flights were allowed to land. Air traffic that did not conform to these rules instead landed at San Pedro Sula‘s Ramón Villeda Morales International Airport, which is 112 miles North of Tegucigalpa.

Manuel Zelaya, President of Honduras, announced the reopening after spending three hours in a meeting with businessmen who demanded the airport return to full operations. He also said that future plans are to route all commercial traffic to a new airport under construction at a nearby US air base, which is scheduled to enter service next year.

So far, American Airlines, Continental Airlines, Panama’s Copa Airlines and TACA have all confirmed intent to resume flights to Toncontin International next week, by which time they will have reprogrammed their routing schedules accordingly.

The airport is considered one of the most dangerous in the world and for years people have called for its replacement. The airport features an inadequately short runway, outdated navigational equipment and is surrounded by hills.

Friday, September 29, 2006

New Zealand filmmaker, Peter Jackson and screenwriter Fran Walsh announced at the X06 convention, Wednesday, that they are teaming up with Microsoft to create Xbox and Xbox 360 games with their new company, Wingnut Interactive.

Wingnut Interactive will initially create another video game based on sci-fi series Halo with help from Microsoft and Bungie Studios, but staffed locally in Wellington. His second project can be whatever he likes, while trying to bring new people into the world of gaming.

Peter Jackson spoke to New Zealand news broadcaster, 3 News and said: “I want to able to experiment with ways of telling stories that’s not using the structure of a movie. It’s immersive and interactive, but it goes beyond (today’s) games. It’s what we’ve been looking forward to for 10 years. I’m sure it will start small and if things go well it will expand to fit whatever this turns into.”

Simon McCallum, computer scientist from the University of Otago, said: “For the new company to succeed it would probably need to employ a mix of industry veterans and about 20 or 30 top computer science graduates. However, at the moment New Zealand would struggle to fill any new jobs. In the past two years demand for computer science graduates had tripled while supply had halved.”

The New Zealand Game Developers Association said around 140 people work in the development of video games in New Zealand. They say the industry is worth between NZ$8 million and $10 million each year. “There is a lot of potential to do something very very big and something very revolutionary. We’ll just have to see what happens when the game comes out in a few years time, whether they deliver on that,” said Mario Wynands, from the New Zealand Game Developers Association.

David Mclean, director of Australia and New Zealand Xbox, said: “The whole ten billion dollar video games business will be looking at New Zealand and what Peter Jackson produces. There is no release date yet, because Jackson will take as long as necessary to ensure the games meet his exacting standards.”

Kerry Prendergast, mayor of Wellington said: “The venture’s potential boost to Wellington’s economy is enormous. Certainly the early advice I have is that it is worth millions of dollars and more jobs in our city.”

Peter Jackson is the producer for the movie version of Halo which is to be shot next year, in Wellington. Jackson also worked with Ubisoft to produce the King Kong video game.

Jackson said: “Xbox has fundamentally changed how people think about games. My vision, together with Microsoft Game Studios, is to push the boundaries of game development and the future of interactive entertainment.”

Microsoft also announced at X06 that it is releasing a HD-DVD add-on for the Xbox 360, which will come bundled with a free HD-DVD version of King Kong for a limited time only.

Wednesday, September 29, 2010

Joseph Cerniglia, a chef who had appeared on Gordon Ramsay’s television show Kitchen Nightmares, has commited suicide. Cerniglia was the owner of Italian restaurant Campania. He jumped off a bridge into the Hudson river on the New York–New Jersey border. At the time of filming in 2007, Cerniglia owed suppliers $80,000.

Officials reported that 39-year-old Cerniglia had jumped off of the George Washington Bridge into the Hudson. His death has officially been ruled as suicide. His body was retrieved from the river after reports of a man jumping off of the bridge.

Ramsay released a statement to the Press Association saying “I was fortunate to spend time with Joe during the first season of Kitchen Nightmares. Joe was a brilliant chef, and our thoughts go out to his family, friends and staff.”

Cerniglia told Ramsay about his personal debt when he came to the restaurant in 2007. He said “I am financially in trouble. The debt of the restaurant alone is overwhelming. My personal debt — wife, kids, mortgage — that’s a lot of debt”.

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Sunday, April 26, 2009

Homeland Security Secretary Janet Napolitano announced today at a news conference that the U.S. has declared a public health emergency in light of the swine flu outbreak. The total number of confirmed swine flu cases in the United States stands at 20.

Secretary Napolitano said that the United States’ declaration follows suit with the “standard operating procedure” of such an outbreak to make more government resources available to combat the disease. One direct result of the declaration is the government’s mobilization of approximately 12 million doses of Tamiflu to locations where the states can quickly access their share of the medication if needed.

Secretary Napolitano urged residents not to panic saying that the government is issuing a “declaration of emergency preparedness.” Secretary Napolitano added, “Really that’s what we’re doing right now. We’re preparing in an environment where we really don’t know ultimately what the size of seriousness of this outbreak is going to be.”

John Brennan, a Homeland Security assistant, added that “at this point, a top priority is to ensure that communication is robust and that medical surveillance efforts are fully activated.”

This afternoon, New York City Mayor Michael Bloomberg reported that 8 students from the St. Francis Prepatory School in Queens, New York have contracted the swine flu. All in all, more than 100 students from that high school were absent last week with flu-like symptoms.

Meanwhile, public health officials in Ohio today announced one confirmed case of swine flu in the state. Thus far, California has reported 7 confirmed cases of swine flu, while Kansas and Texas have each reported two confirmed cases.

At the same news conference Dr. Richard Besser, the acting director from the Centers for Disease Control and Prevention (CDC), said to expect additional cases of swine flu to be reported in the short term. Dr. Besser added that the U.S. could also start seeing cases of the disease where the effects are more dramatic: “We’re going to see more severe disease in this country”. So far, no one in the U.S. has died from swine flu.

Wednesday, June 12, 2013

Two Australian Paralympic wheelchair basketball players, Shelley Chaplin and Leanne Del Toso, are cycling around Fiji to raise money for people in Fiji with disabilities. They hope to cover the route, which is roughly 500 kilometers (300 miles) long, in just ten days. They started on June 7, 2013 and plan to finish by June 16.

Along the way, they intend to do outreach, and mentor people with disabilities. They hope to raise A$13,000. So far, they have raised over A$12,400. They are using crowdfunding to finance their sporting event.

Del Toso suffered muscle deterioration in her legs and hands due to a degenerative neurological condition when she was 19, and rides her bike with the aid of orthotics. Chaplin was born a paraplegic, and is using a handcycle.

They won silver medals at the 2012 Summer Paralympics in London with the Australia women’s national wheelchair basketball team, commonly known as the Gliders.

Both also played for Victoria in Round One of the Australia Women’s Wheelchair Basketball League (WNWBL) competition last weekend. Victoria won all four of its games. They expect to be back in action again in Round Two in Perth on June 21–23.

Tuesday, January 28, 2014

Evansville, Indiana, United States — This past week marked the opening night of an Andy Warhol exhibit at the University of Southern Indiana. USI’s art gallery, like 189 other educational galleries and museums around the country, is a recipient of a major Warhol donor program, and this program is cultivating new interest in Warhol’s photographic legacy. Wikinews reporters attended the opening and spoke to donors, exhibit organizers and patrons.

The USI art gallery celebrated the Thursday opening with its display of Warhol’s Polaroids, gelatin silver prints and several colored screen prints. USI’s exhibit, which is located in Evansville, Indiana, is to run from January 23 through March 9.

The McCutchan Art Center/Pace Galleries at USI bases its exhibit around roughly 100 Polaroids selected from its collection. The Polaroids were all donated by the Andy Warhol Photographic Legacy Program, according to Kristen Wilkins, assistant professor of photography and curator of the exhibit. The Andy Warhol Foundation for the Visual Arts made two donations to USI Art Collections, in 2007 and a second recently.

Kathryn Waters, director of the gallery, expressed interest in further donations from the foundation in the future.

Since 2007 the Andy Warhol Photographic Legacy Program has seeded university art galleries throughout the United States with over 28,000 Andy Warhol photographs and other artifacts. The program takes a decentralized approach to Warhol’s photography collection and encourages university art galleries to regularly disseminate and educate audiences about Warhol’s artistic vision, especially in the area of photography.

Wikinews provides additional video, audio and photographs so our readers may learn more.

Wilkins observed that the 2007 starting date of the donation program, which is part of the Andy Warhol Foundation for the Visual Arts, coincided with the 20th anniversary of Andy Warhol’s death in 1987. USI was not alone in receiving a donation.

K.C. Maurer, chief financial officer and treasurer at the Andy Warhol Foundation, said 500 institutions received the initial invitation and currently 190 universities have accepted one or more donations. Institutional recipients, said Mauer, are required to exhibit their donated Warhol photographs every ten years as one stipulation.

While USI is holding its exhibit, there are also Warhol Polaroid exhibits at the Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, New York and an Edward Steichen and Andy Warhol exhibit at the Mary & Leigh Block Museum of Art at Northwestern University in Evanston, Illinois. All have received Polaroids from the foundation.

University exhibits can reach out and attract large audiences. For example, the Weatherspoon Art Museum at the University of North Carolina at Greensboro saw attendance levels reach 11,000 visitors when it exhibited its Warhol collection in 2010, according to curator Elaine Gustafon. That exhibit was part of a collaboration combining the collections from Duke University, located in Durham, North Carolina, and University of North Carolina at Chapel Hill, which also were recipients of donated items from the Andy Warhol Photographic Legacy Program.

Each collection donated by the Andy Warhol Photographic Legacy Program holds Polaroids of well-known celebrities. The successful UNC Greensboro exhibit included Polaroids of author Truman Capote and singer-songwriter Carly Simon.

“I think America’s obsession with celebrity culture is as strong today as it was when Warhol was living”, said Gustafon. “People are still intrigued by how stars live, dress and socialize, since it is so different from most people’s every day lives.”

Wilkins explained Warhol’s obsession with celebrities began when he first collected head shots as a kid and continued as a passion throughout his life. “He’s hanging out with the celebrities, and has kind of become the same sort of celebrity he was interested in documenting earlier in his career”, Wilkins said.

The exhibit at USI includes Polaroids of actor Dennis Hopper; musician Nick Rhodes of Duran Duran; publishers Jann Wenner of Rolling Stone Magazine and Carlo De Benedetti of Italy’s la Repubblica; disco club owner Steve Rubell of Studio 54; photographers Nat Finkelstein, Christopher Makos and Felice Quinto; and athletes Vitas Gerulaitis (tennis) and Jack Nicklaus (golf).

Wikinews observed the USI exhibit identifies and features Polaroids of fashion designer Halston, a former resident of Evansville.

University collections across the United States also include Polaroids of “unknowns” who have not yet had their fifteen minutes of fame. Cynthia Thompson, curator and director of exhibits at the University of Arkansas, Fayetteville, said, “These images serve as documentation of people in his every day life and art — one which many of us enjoy a glimpse into.”

Warhol was close to important touchstones of the 1960s, including art, music, consumer culture, fashion, and celebrity worship, which were all buzzwords and images Wikinews observed at USI’s opening exhibit.

He was also an influential figure in the pop art movement. “Pop art was about what popular American culture really thought was important”, Kathryn Waters said. “That’s why he did the Campbell Soup cans or the Marilyn pictures, these iconic products of American culture whether they be in film, video or actually products we consumed. So even back in the sixties, he was very aware of this part of our culture. Which as we all know in 2014, has only increased probably a thousand fold.”

“I think everybody knows Andy Warhol’s name, even non-art people, that’s a name they might know because he was such a personality”, Water said.

Hilary Braysmith, USI associate professor of art history, said, “I think his photography is equally influential as his graphic works, his more famous pictures of Marilyn. In terms of the evolution of photography and experimentation, like painting on them or the celebrity fascination, I think he was really ground-breaking in that regard.”

The Polaroid format is not what made Warhol famous, however, he is in the company of other well-known photographers who used the camera, such as Ansel Adams, Chuck Close, Walker Evans, Robert Mapplethorpe, and Helmut Newton.

Wilkins said, “[Warhol] liked the way photo booths and the Polaroid’s front flash looked”. She explained how Warhol’s adoption of the Polaroid camera revealed his process. According to Wilkins, Warhol was able to reproduce the Polaroid photograph and create an enlargement of it, which he then could use to commit the image to the silk screen medium by applying paint or manipulating them further. One of the silk screens exhibited at USI this time was the Annie Oakley screen print called “Cowboys and Indians” from 1987.

Wilkins also said Warhol was both an artist and a businessperson. “As a way to commercialize his work, he would make a blue Marilyn and a pink Marilyn and a yellow Marilyn, and then you could pick your favorite color and buy that. It was a very practical salesman approach to his work. He was very prolific but very business minded about that.”

“He wanted to be rich and famous and he made lots of choices to go that way”, Wilkins said.

Kiara Perkins, a second year USI art major, admitted she was willing to skip class Thursday night to attend the opening exhibit but then circumstances allowed for her to attend the exhibit. Why did she so badly want to attend? “It’s Warhol. He is a legend.”

For Kevin Allton, a USI instructor in English, Warhol was also a legend. He said, “Andy Warhol was the center of the Zeitgeist for the 20th century and everything since. He is a post-modern diety.”

Allton said he had only seen the Silver Clouds installation before in film. The Silver Clouds installation were silver balloons blown up with helium, and those balloons filled one of the smaller rooms in the gallery. “I thought that in real life it was really kind of magical,” Allton said. “I smacked them around.”

Elements of the Zeitgeist were also playfully recreated on USI’s opening night. In her opening remarks for attendees, Waters pointed out those features to attendees, noting the touches of the Warhol Factory, or the studio where he worked, that were present around them. She pointed to the refreshment table with Campbell’s Soup served with “electric” Kool Aid and tables adorned with colorful gumball “pills”. The music in the background was from such bands as The Velvet Underground.

The big hit of the evening, Wikinews observed from the long line, was the Polaroid-room where attendees could wear a Warhol-like wig or don crazy glasses and have their own Polaroid taken. The Polaroids were ready in an instant and immediately displayed at the entry of the exhibit. Exhibit goers then became part of the very exhibit they had wanted to attend. In fact, many people Wikinews observed took out their mobiles as they left for the evening and used their own phone cameras to make one further record of the moment — a photo of a photo. Perhaps they had learned an important lesson from the Warhol exhibit that cultural events like these were ripe for use and reuse. We might even call these exit instant snap shots, the self selfie.

The time is 18:00 (UTC) on August 17th, 2006, and this is Audio Wikinews News Briefs.